'Photographer and sculptor Jason Shulman doesn’t watch movies like the rest of us. Instead, he hits play and lets his camera take over. Using ultra-long exposure, the London-based artist can capture an entire movie in just one photograph.'
'In his photo of Disney’s 1951 film “Alice in Wonderland,” you can make out Alice’s hair and dress in the ambiguous shapes and patches of bright color. Photographing James Cameron’s fast-paced cinematography in “Avatar,” resulted in a uniform slab of plain blue. And when Shulman condensed “2001: Space Odyssey” into a single frame, it appeared divided into three, reflecting the film’s iconic three-screened council room.'