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Eye of the Sun: Ilma Savari

Past exhibition
5 November - 30 December 2022 London
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Overview
Ilma Savari, 'Majanune', 2020, hand beaten barkcloth nigoe, natural pigments, appliquéd with grass thread, 227 x 96 cms (89 3/8 x 37 3/4 in)
Ilma Savari, 'Majanune', 2020, hand beaten barkcloth nigoe, natural pigments, appliquéd with grass thread, 227 x 96 cms (89 3/8 x 37 3/4 in)
‘It was Ilma Savari who impressed me most: her poise, her dedication and the clarity of her vision. I am thrilled that she is having her first exhibition at the Rebecca Hossack Art Gallery.' - Rebecca Hossack

The Rebecca Hossack Art Gallery is proud to present a ground-breaking exhibition of painted barkcloths - or nioge - by the Papua New Guinean artist, Ilma Savari. Eye of the Sun marks Savari's first ever solo exhibition outside of Papua New Guinea. 


Savari (born 1969), is a member of the Ömie people, a group from the remote volcanic slopes of Mount Lamington in south-eastern Papua New Guinea. Earlier this year she achieved the distinction of being the first Ömie artist to have work hung in the Royal Academy’s Summer Exhibition 2022.


Savari’s boldly composed and meticulously executed images are painted on sheets of fine-grained barkcloth made from the inner bark of mulberry or fig trees. Additional elements are appliquéd onto this ground, stitched with a needle made from the finest bone of a bat wing. 
Her restrained palette - of ivory whites, charcoal greys, cinnamon reds, and brilliant golds - derives from her immediate rainforest environment. Pigments are made variously from pounded and chewed leaves, roots, volcanic ash and fruit pulp.

 

Nioge are a central feature of Ömie life and culture. Made almost exclusively by women, they are used for personal adornment, domestic comfort, and ceremonial purposes. The essential iconography of their decoration derives from long tradition and combines schematic Soru’e (tattoo) designs with figurative elements gleaned from close observation of the natural world.

Every pattern and colour choice is freighted with meaning. Nioge play a vital role in contemporary Ömie society in their recording and preservation of ancestral stories and spiritual teachings. Deploying these traditional elements in her own distinctive fashion, Savari creates work that combines a deep knowledge of her ancestral history with an unexpected contemporary directness.

 

Rebecca Hossack said: ‘In 2019, I made the arduous five-day trek up Mount Lamington to visit the remote Ömie villages. I was enormously excited by the vitality of the culture and the quality of much of the nioge-work being done. But it was Ilma Savari who impressed me most: her poise, her dedication and the clarity of her vision. I am thrilled that she is having her first exhibition at the Rebecca Hossack Art Gallery.’ - Rebecca Hossack

 

The Rebecca Hossack Art Gallery, as part of its thirty-four-year engagement with Non-Western artistic traditions, is committed to championing indigenous women artists from around the globe.

 

 

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Works
  • Ilma Ugiobari (Savari), Bojo e Sore, 2020
    Ilma Ugiobari (Savari), Bojo e Sore, 2020
  • Ilma Ugiobari (Savari), Buto Mei Tar’e - Lizard's Jaw Bone, 2019
    Ilma Ugiobari (Savari), Buto Mei Tar’e - Lizard's Jaw Bone, 2019
  • Ilma Ugiobari (Savari) Melanesian artist natural pigments on nioge hand sewn with grass thread and a bone from wing of a bat of Butote Ame - Spider Web 2020
    Ilma Ugiobari (Savari), Butote Ame - Spider Web, 2020
  • Ilma Ugiobari (Savari), Eje - Breast Plate, 2020
    Ilma Ugiobari (Savari), Eje - Breast Plate, 2020
  • Ilma Ugiobari (Savari), Hajiomeno’e Murove Anie - Victory, 2019
    Ilma Ugiobari (Savari), Hajiomeno’e Murove Anie - Victory, 2019
  • Ilma Ugiobari (Savari), Hijiomene Ahihe - Ancestors Mirror, 2019
    Ilma Ugiobari (Savari), Hijiomene Ahihe - Ancestors Mirror, 2019
  • Ilma Ugiobari (Savari), Majanune, 2020
    Ilma Ugiobari (Savari), Majanune, 2020
  • Ilma Ugiobari (Savari), Mokoja Ane - The Beak of a Red Parrot, 2019
    Ilma Ugiobari (Savari), Mokoja Ane - The Beak of a Red Parrot, 2019
  • Ilma Ugiobari (Savari), Mokojai Anei - Beak of A Parrot, 2019
    Ilma Ugiobari (Savari), Mokojai Anei - Beak of A Parrot, 2019
  • Ilma Ugiobari (Savari), One Ruah'e - Small Stripes, 2019
    Ilma Ugiobari (Savari), One Ruah'e - Small Stripes, 2019
  • Ilma Ugiobari (Savari), Umberi - Legendary Snake Name, 2019
    Ilma Ugiobari (Savari), Umberi - Legendary Snake Name, 2019
  • Ilma Ugiobari (Savari), Victory Banner, 2020
    Ilma Ugiobari (Savari), Victory Banner, 2020
  • Ilma Ugiobari (Savari), Vijoje Dehe - Wing of a Butterfly, 2019
    Ilma Ugiobari (Savari), Vijoje Dehe - Wing of a Butterfly, 2019
Press
  • Ilma Savari, 'Hajiomeno’e Murove Anie - Victory', 2019, hand beaten barkcloth, appliqué, natural pigments, 67 x 131 cm

    From life in the rainforest to a London exhibition

    Renata Debeljak, Sensa Magazine, 11 October 2022
  • Ilma Savari's barkcloth work at Eye of the Sun, and exhibition of Omie tapa cloths at the Rebecca Hossack Art Gallery, November 2022

    Bark, Bat Bones and Bodily Fluids

    Dr Birgitta Huse, The Protagonist, 12 November 2022
Related content
  • Bark, Bat Bones and Bodily Fluids Press

    Bark, Bat Bones and Bodily Fluids

    The Protagonist 12 November 2022
    ★ ★ ★ ★ Sustainability is a much-discussed subject, including when it comes to art. The material aspect of the works in the show 'Eye...
    Read more
  • From life in the rainforest to a London exhibition Press

    From life in the rainforest to a London exhibition

    Sensa Magazine 11 October 2022
    For decades, the self-taught artist, Ilma Savari, and her fellow Ömie artists have continued the centuries-old tradition specific to indigenous tribes of Papua New Guinea....
    Read more

Related artist

  • An artwork by Papa New Guinean artist Ilma Ugiobari (Savari) entitled Butote Ame - Spider Web, made of natural pigments on nioge hand sewn with grass thread and a bone from wing of a bat

    Ilma Savari (Ugiobari)

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