Rebecca Hossack Art Gallery
Skip to main content
  • Menu
  • Artists
  • Aboriginal art
  • Exhibitions
  • Press
  • Events
  • About
  • Contact
Menu

Artworks

Open a larger version of the following image in a popup: Manalay Yunupinu, Gumatj Larrakitj, 2006

Manalay Yunupinu

Gumatj Larrakitj, 2006
natural earth pigments on hollow log
292 x 20 cm
115 x 7 7/8 in
Enquire
%3Cdiv%20class%3D%22artist%22%3EManalay%20Yunupinu%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EGumatj%20Larrakitj%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2006%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Enatural%20earth%20pigments%20on%20hollow%20log%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E292%20x%2020%20cm%3Cbr/%3E%0A115%20x%207%207/8%20in%3C/div%3E
The Gumatj diamond design represents fire: the red of the flames, the white of smoke and ash, the black of charcoal, the yellow of dust. It belongs to the Gumatj...
Read more
The Gumatj diamond design represents fire: the red of the flames, the white of smoke and ash, the black of charcoal, the yellow of dust. It belongs to the Gumatj land around Biranybirany and the ancestral events that occurred there, events involving the Ancestral Crocodile Bäru and his associations with the Ancestral Fire. This miny'tji (sacred clan design) is the source and record of the sacred identity of Yolngu law and land. For decades, when Yolngu artists painted for the outside world, this design was covered by figurative imagery, a totemic crocodile or shark, to protect uninitiated viewers from its unmediated power. This larrakitj is part of a deliberate movement away from that practice by the Gumatj and Djapu clans in the years following the first Garma Larrakitj installation in 2001, the miny'tji now given without a covering layer.

Manalay Yunupinu was born at Biranybirany on 27 May 1962 and became the senior Gumatj man at that homeland. He began assuming ceremonial leadership responsibilities in the mid-1990s and his art production intensified in the early years of the new millennium. He participated in the 2003 Garma Larrakitj Installation at Gulkula and exhibited in Circle, Line, Column at Annandale Galleries, Sydney, in July 2004.
Close full details
Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
Previous
|
Next
1680 
of  4216

+44 0 20 7436 4899

info@rebeccahossack.com

Join the mailing list
Instagram, opens in a new tab.
Youtube, opens in a new tab.
Privacy Policy
Manage cookies
© 2024 Rebecca Hossack Art Gallery
Site by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Reject non essential
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences
Close

Join our mailing list

Signup